Le livre Farfield. Digital Culture, Climate Change, and the Poles, sous la direction de Jane Marshing & Andrea Polli publié par Intellect (Bristol, UK/Chicago, USA) vient de paraître en ce début d’année 2012 avec mon article : « Inhabiting the Extreme or Making Antarctica Familiar ».
The book Farfield. Digital Culture, Climate Change and the Poles, edited by Jane Marshing & Andrea Polli has been released this January 2012 by Intellect (Bristol, UK/Chicago, USA) with my article: « Inhabiting the Extreme or Making Antarctica Familiar ».
Le sommaire est vraiment alléchant. / Table of Content below
– Introduction, Jane D. Marshing and Andrea Polli
– Every New Thing: The Evolution of Artistic Technologies in the Antarctic – or How Land Arts Came to the Ice, William L. Fox
– Magnets of the Fantastic: The North Pole Observed, Jane D. Marshing
– Pages from the Book of the Unknown Explorer, Judit Hersko
– Antarctic Diaries » (Excerpts), Simon Faithfull
– Ground Truth (Focus: The Antarctic Dry Valleys), Andrea Polli
– London Fieldworks: Polaria Fieldwork and Installation, Jo Joelson and Bruce Gilchrist
– Disappearing Ice and Missing Data: Climate Change in the Visual Culture of the Polar Regions, Lisa E. Bloom and Elena Glasberg
– Between Ecotopia and Ecotage: Polar Media, Peter Krapp
– Nonorganic Life: Frequency, Virtuality and the Sublime in Antarctica, Susan Ballard
– Inhabiting the Extreme or Making Antarctica Familiar, Annick Bureaud
– Voices, Lines, Cracks and Data-Sets: Formations of a New « Idea of the Canadian North », Leslie Sharpe
– Airspace (Focus: McMurdo Station, Antarctica), Andrea Polli
– Systemness: Towards a Data Aesthetics of Climate Change, Tom Corby